With this latest offering, Only The Brave, Kosinski here demonstrates he is also more than capable of engaging an audience emotionally with the characters on screen.ĭespite some clunky expositional dialogue early on, the screenplay by Ken Nolan and Eric Warren Singer (based on a GQ magazine article) – does a nice job of steering well away from cliched melodrama in the depiction of the various relationships the principal characters have with their significant others. With his previous films Tron Legacy and the insanely under-appreciated Oblivion already demonstrating a keen eye for impressive visuals and the ability to effectively immerse an audience within the worlds depicted. Helmer Joseph Kosinki has quickly established himself as a one of the most exciting directors around today. Running time: 134 mins.Ī true-life account of a legendary squad of Arizona wildfire fighters known as The Granite Mountain Hotshots who, on June 30th 2013, faced the biggest challenge of their lives – survival.

Starring: Miles Teller, Josh Brolin, Taylor Kitsch, Jeff Bridges and Jennifer Connelly. Screenplay by Ken Nolan and Eric Warren Singer. Only the Brave serves as a fond tribute to real-life heroes, but as a work of art, it's uneven.Oblivion helmer delivers profoundly moving, hugely affecting third feature.ĭirected by Joseph Kosinski. That lack of clarity may open cans of worms the filmmakers don't intend, as viewers may wonder why certain horrible events had to occur. This is crucial in the film's climax, when it's difficult to understand why certain decisions are made. We're simply intended to accept that every strategic call one of the characters makes is right, even though other experts vehemently disagree. While it can be fascinating to watch the characters' technical expertise, their physical feats, and their strategy and skill, the film doesn't bother to fill in knowledge gaps for regular viewers. Brave's worst cinematic sin, though, is its failure to convey the logistics of the action. A character talks about retiring, so the next time out. The storytelling also leans toward heavy-handed and clichéd: A lingering look at a character getting into a truck means. 'That doesn't mean you can see everything coming,' comes another's wise response. sharing your man with the fire' And 'I went in with my eyes wide open,' bravely asserts one long-suffering wife.

The dialogue is similarly uneven, reeling from the guys' amusing banter to heavy-handed clichés that can tip toward the laughable: 'It's not easy. But the domestic drama either doesn't fly - as with Marsh and his wife - or does, as with McDonough's fumblings toward fatherhood. The relationships built within the crew, particularly between McDonough and initial nemesis Chris 'Mac' MacKenzie (a likeable Kitsch), provide some human ballast. On-screen, his greatest sin is that (predictably) he cares too damn much.

More punches are obviously pulled with team supervisor Marsh (played by the at-home-in-his-own-skin Brolin), whom, we're told, has made enemies with his attitude. Luckily, Teller is a skilled actor who more or less sells it. McDonough has a pretty easy time of it, going from unbelievably stupid crackhead to dedicated family man and reliable wildlands firefighter with surprisingly little on-screen struggle. But the film clearly treats its real-life subjects with kid gloves. Only the Brave is at its strongest in the easy camaraderie of the elite firefighters, with their goofing around and male bonding. There's a lot to like here: the dialogue, the relationships, the technical expertise but there's also a lot to not like here: the dialogue, the relationships, the technical expertise.

Only the brave movie characters